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It went on to win six Oscars - the most of the 2016 Academy Awards Ceremony.
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He was like, “I want to go to that.In May of 2015, Mad Max: Fury Road was released as the fourth movie in the Mad Max franchise. So, I organized a night where I said, “We should have a meeting with Eve where we talk to her about it.” George heard about it. Nadia Townsend: With the stunt guys, it didn’t sit well with them that we kept talking about the masculine being violence and destruction, and the feminine being nurturing. Their first aim is not to be cautionary tales or speculative. Ultimately these films are really about who we are today, referencing the past. The behaviors are much more elemental, the dominance hierarchies are much more obvious in the way that the few control the many, which is the constant in human history. Even though it’s set in a dystopian future, the stories allow you to go back into the past-in the case of this film, almost as a medieval world, really. George Miller: I wondered why I was always attracted, despite my better instincts, towards making Mad Max movies, and then I realized it’s a wonderful world to play in. To me, it’s another indication of the depths of his exploration and his desire to really get things right and true and intricate.
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I’m quite certain of that.Įve Ensler: It was a radical thing that George asked me to do that. A lot of them were quite intimate with the five girls, and by osmosis it crept into the movie. George Miller: She gave us a week in the middle of a very busy schedule and she came down and ran wonderful workshops.
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How could they be true to it as actors? Eventually, he invited me to Namibia to spend time with them. He would send me pieces of the script for feedback, and we began to get into a dialogue about the women who were going to play the sex slaves and how they could embody those parts and know what that lived experience was. As it happened, I was listening to the radio down in Australia and Eve, who is extraordinary in the work she does for human rights in Africa, happened to be in the Republic of Congo around the time we were in Namibia.Įve Ensler: George is a deeply thoughtful, intellectually engaged person, so I think he was very interested to hear my thoughts. George Miller: It occurred to me that we needed somebody to really help the female actors find a way into their characters and their world because everybody in this story, except Immortan Joe, is in some way a commodity. Miller gave the actresses playing the Wives an unusual freedom to develop their own backstories. “George was very good at getting a female opinion.” “The things about blokes writing stories with women in them is that it’s always the man’s point of view,” said Peter Pound, the film’s lead storyboard artist. Capable (Riley Keough) is still innocent enough to form a tentative romance with the War Boy turncoat Nux, but Splendid (Rosie Huntington-Whiteley), pregnant with the Immortan’s child, is willing to risk the baby’s life-as well as her own-if it will help them all escape.Īfter drawing up the storyboards, George Miller and his writers had a vague sense of who the five Wives were, but the director was still eager for more authentic input. The Dag (Abbey Lee) contributes cracked, funny observations, while Toast the Knowing (Zoë Kravitz) is practical and grim. Miller and his co-writers conceived the quintet with a set of simple characteristics-“funny,” “brainy,” “fragile,” “seductive,” and “leader”-and began to flesh them out based on how those characters might react to the changing circumstances of the chase.Ĭheedo the Fragile (Courtney Eaton) is the youngest of the sex slaves and the most tempted to return to her captor, Immortan Joe. Who are the five women that Furiosa frees from Immortan Joe? Like most of the characters in Mad Max: Fury Road, all we learn about them is what we can pick up on the fly.
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